Post-industrial duo wielding processed vocals and stark repetition like surgical instruments. Drawing from a storied lineage of experimental noise and industrial music, the pair forge confrontational soundscapes that merge electronic manipulation with psychological excavation.

Their compositions function as extended immersions broadcast through distorted speakers. On "Primalism," mantras like "Blame me for everything" spiral into hypnotic self-flagellation while drum machines pound against layers of synthesized debris. "Teeth on teeth, and grief on grief" cuts through minimalist arrangements with industrial precision, each repetition deepening the wound.

The duo's approach mirrors the deconstructed aesthetics of early industrial pioneers—vocals processed beyond recognition, conventional song structures abandoned for cyclical emotional purging. "I think there's an end to this" loops into oblivion across seven minutes of "I.S.Y.Y.I.Y.S.M.M.," while "Love" dissects societal abandonment through sparse, haunting arrangements. Their latest, "Mantis," stalks through calculated silence and sudden mechanical eruptions.

Raw self-interrogation meets mechanical pulse, analysis transformed into rhythm. The utterance of the tongueless.